|
A Dark Storm
Review
by Richard
Radcliffe
- I really enjoyed
Detours' first two albums Debut and No
Evil, and their excellent Snowballed, The
Christmas EP, and was therefore hugely looking
forward to this third Detours album, which promised
a more polished collection. I was impressed with the
sheer variety of songs on previous albums, and it
was lovely to hear great songs performed well in the
studio. A Dark Storm builds on the growing
confidence of Detours, to produce 10 songs that push
the group forward even further musically - providing
the listener with probably their best collection to
date. The sheer variety of songs is evident from the
number of instruments used.
-
- The usual Detour
signatures are here. The acoustic roots of the group
show through, despite the bigger production, making
the lyrics clear and melodies sharp. Again all group
members get their time in the spotlight, backed up
effectively by the other 2 members and guest
musicians. I believe there's greater variety here
too musically, with each song unique, but still very
much Detours.
-
- The cover is
rather striking, with the old, buried rundown house
the main focus. It catches the attention very
nicely. It's all about the songs though, and again
they are very impressive in all kinds of ways - let
me elaborate:-
Together
The Collection gets off to a rousing start with a
"buddy" song written by EZ, but with each member of
Detours shining through. You can imagine Sam, EZ and Ju
at the front of the stage arm in arm singing this one,
especially as the "believe in each other" lyric sings
out. Remembrances of childhood and the dreams of rock
superstardom is the subject, and anyone who knows the
writer knows this is very much him! But this is not
cheesy head in the clouds wishing, it's actually rather
endearing in its message. I love how the song builds up,
with the three vocalists and strumming guitar starting
things off. After two verses the chorus kicks in, with
soaring harmony complimenting the lyrics perfectly.
Excellent sax solo from Phil Chapman after the middle 8
too. Heartwarming start. 9/10
Games
I heard this one first at their Christmas 2005 gig at
Players' Theatre, and I loved it right from the first
time I heard it. Written by Sam, it starts off with a
rousing drum beat, which is soon joined by wonderfully
gentle guitar strings. Sams brilliant vocals about the
psychology of love then assault your senses, perfectly
harmonized by EZ. It's an impressive vocal performance
from them both, and melodically brilliant as it covers a
huge range. What a great melody, and very reminiscent of
the early Bee Gees work. Excellent song. 10/10
Reality
From the complexities of love we move onto the stark
reality of domestic life. We join the thoughts of a
struggling single mother dreaming of a more exciting
life, but trying her best to cope with the one she has
and from which she will never escape. With minimal, but
effective accompaniment of acoustic guitar and
accordion, EZ allows the words to be the main focus. The
easy paced song takes a rather surprising turn about
half way through as it soars, thanks to EZ's vocals
becoming more forced, the introduction of the rhythm
section, and Sam's wonderful trumpet solo. Then there's
a decresendo and back to the humdrum for the conclusion,
emphasizing the nature of the song. Nicely done. 8/10
Everybody
This is a lovely little song, brilliant in its
simplicity. Julian's vocals are ideally suited to his
own song, with nice harmonising from EZ and Sam. It's a
perfect acoustic song too, with only guitars and light
percussion needed to complete the musical picture. You
get caught up in the tranquillity of it, a wonderful way
of demonstrating how beautiful companionship can be. The
simple message is that everybody needs someone and needs
to be needed. Delightful. 9/10
Right Now
Similar message here, but with aggression. Sam's song is
more concerned with the addiction of love, inspite of
its' destruction! It's presented in your face, with a
strong, electric guitar accompaniment. You can picture
Sam belting it out on stage, with EZ ably helping to
stress the emotion with great harmonies. It's rather
effective coming straight after Everybody - the
complexities of Love contrasting with its simplicity.
The main riff is emphasized to great effect, and there's
a great bottleneck guitar solo from the great Paul
Adshead.
- Very Good Rock
song. 8/10
Been Here Too Long
The uptempo music continues with this EZ number
regarding the frustrations of being stuck in a
rut and feeling as though life is passing by.
Great lyrics that many people will be able to
relate to. With Blue Thatcher's Patrick O'Hare
guesting on bluesy electric guitar, showing his
Eric Clapton influences. There's a horn section,
hammond organ, piano, drums, tambourine, there's
plenty going on. As a result it's one of the
most extensive produced songs Detours have
recorded. It's a lively song, well sung by EZ -
nicely backed up by everyone concerned. Some may
feel it's rather lengthy, but it gives Pat the
chance to play that guitar. All considered, this
is very good. 7/10
For Your Love
This is a real gem. Like Someday from the
previous No Evil collection, it's shows
how well Julian can write for the vocals of Sam.
Minimal accompaniment from piano, strumming
acoustic guitar and accordion provide an ideal
complement to the main vocal performance. This
is Sam at his most emotionally charged. He's at
the top of his range for sure, but it all fits
in nicely with the theme of the song. Of real
note is the vocal harmonizing introduced part
way in, as EZ joins Sam - fleshing out the song
to something really special. There's a lovely
guitar solo in there too from Paul Adshead,
reminiscent of Hank Marvin, which really reaches
out to our hearts. This is as good as it gets.
10/10
Still Rains!
Quite a departure here from the pen of Julian,
with a rather tribal/back porch feel with the
inclusion of dobro and didgeridoo. All three
vocalists get their solo leads, but each also
complement the others very well. It won't be
everybody's favourite song, it's a little too
unusual and discordant for that. It's a song
that stretches the musical limits of the group
though, and the whole production is highly
impressive. Effectively different. 7/10
Girl
- I have noticed
in this collection a great input from the quiet
man of the group, Julian. Here's another from
his pen, the third in a row in fact, and a
performance from the heart. It wears its' Bob
Dylan roots on its sleeve, even name dropping
him. It's Julian accompanying himself on
acoustic guitar with understated, but effective
acoustic guitar accompaniment and vocal
harmonies from EZ, and very lovely it is too.
Beautiful. 9/10
A Dark Storm
- The title
track of the collection shows how far Detours
have progressed in the last few years,
particularly EZ who wrote this, and was mostly
responsible for the production. It is that
production that deserves special praise here. As
the excellent main melody begins with just EZ on
vocals and acoustic guitar, you have no idea of
the wonders to come. It all gradually builds
together so well. It feels very American/Western
with its dusty lands' arrangement, yet the
thoughtful words EZ provides us with paint a
very vivid image of a devastated Third World
caused by either politics or natural disasters.
The arrangement builds gradually and just keeps
on building that it becomes something greater
than the sum of its parts. It's the build up of
the song I found the most impressive aspect.
Each section is bigger than the last - and EZ
builds this into his vocals. But then it goes
further than that. When the vocals cease the
instruments take over. Solos from harmonica,
mandolin, piano, dobro, accordion, Patrick
O'Hare on blues guitar, and as each subsequent
instrument joins in another piece of the picture
emerges. Each instrument has a part to play, but
surely the highlight is Sam's trumpet, which
multiplies to soaring effect as it blares out
its hopeful message. There seems to be a whole
brass band contributing by the end, and leaves
the listener breathless. It fully justifies its
11 minute length. Epic. 10/10
It's easy to wax lyrical about this latest
Detours selection. It's musically more
impressive, and varied than anything they have
done before. This is surely the intent of a
group of talented musicians, who are now pushing
their individual and collective talents to their
full potential. An absolutely brilliant album!
|